by Micah Stover
My favorite auntie told me when I was little to be careful. She said it with a wink, but I knew it was a warning. She told me not to be scared of boys. That really the girls are the powerful ones because we know things. But knowing things can be dangerous.
Trauma spreads through my bloodlines like bamboo, strong and supple. Sometimes dressed as madness. Sometimes addiction. Sometimes violence. It wears many faces and has many names, but mostly it lies hidden with everything evocative of shame.
It took me years and much work to understand that inside everything labeled as trauma rests a jewel – a seeing, a knowing, a power. Intuition is the key that unlocks that house of divinity. Inside that house, there is no battle for control. There is only truth and clarity. Inside that house, I sleep like a baby and walk like a warrior in tune with the earth. Inside that house, my life is my own and I understood it to be a gift, not a curse.
This was the truth as it was revealed to me under the elixir of the great mycelium and her perfect, little flowering body. How little I understood about this vast, robust network under the soil, communicating, connecting, severing, mending, ending and beginning. Everything. All of life held clearly here in the womb of nature where she spreads and pulses her rhythms out into the world, like a woman in labor contracting with life and possibilities. My aunties were midwives. They knew all these things and whispered them in my ears.
When the psilocybin carried me down into the dirt, into the center of all that is living, she showed me the intricate weave of my ancestors. In a voice familiar, loving and firm, she insisted my self-concept deconstruct. She repeated this over and over again, until it was all I knew. Until my ego completely dissolved returning me to the earth from which I’d come. Then it became clear how subservience and humility rendered so little space for agency. How rage filled in the spaces where potential might otherwise have been.
I saw myself inside the construct of time and generations, chasing the truth like an elusive thread. I was the canary in the coal mine of my lineage, my karmic inheritance clear. I’d come to sing a song, to seek and speak the truth where all the other women before me had been silenced. I grabbed this thread woven into the essence of me, and I started to work.
Deep down in the belly of the earth it was apparent how much had been hidden and buried in the small cemetery with dilapidated fence and hand carved tombstones, sitting just behind Grandma’s old farmhouse. The garden, fertile and ripe, with succulent tomatoes popping off the vine, tasting more like a fruit than a vegetable as they toppled like offerings onto the graves. Death and life juxtaposed, swirling together in the soil, side by side. The lush and loss represented in equal measure. My cousin commanded the four-wheeler like a master at age eleven while I clung to his waist, pink frock and blonde curls trailing in the wind. A small shiver on my spine as we whizzed past the stretch of cemetery where all the spirits moaned and grasped at my ankles.
Etched in the family code was reverence to a severe god who required we reject our desires and curiosities. Feeling sorry was inherent to being conscious. I was raised in this context to speak earnestly but in code, to tell half-truths and leave the rest behind. I was taught to live my life as an apology and required to subvert my power in attempt to find a place in a world that was not ever mine.
I never met Cecil, my paternal grandfather, though he visits sometimes in my sleep. He was dead before I came along, buried in that cemetery out back. My grandmother visited him daily, loyal beyond time to a man she loved almost as deeply as she despised. His stories linger large even after all this time. Charismatic and unhinged, he was prone to episodic drunken outbursts before the war. His body returned, but not his spirit. His spirit was a casualty into the wasteland of unresolved PTSD. He returned taunting death, begging for an escape that would stick. When he was almost fifty, the doctor came to unplug the machines keeping his barely breathing body alive. The black cancer had spread to his lungs from his heart leaving the entire chest cavity a shadow. He left behind lots of babies and a teenage wife who couldn’t drive or read.
He is the dark man I see sometimes in my dreams, appearing like a hunter, seeking me out. Initially his shadow evoked a shiver, but these days, he wanes and turns to walk before running away. My body in this dream is also black, more iridescent than dark or opaque. I move lithe, strong and equally foreboding, approaching him dead on. I am a large, sensual cat in the twilight. I am not here to hunt. I have come to protect and preserve myself, my cubs, the lineage that is now mine. I’ve come to retrieve something sacred and pure from a black hole of ancestral pain.
For a moment, Cecil and my eyes meet, and an inexplicable recalibration transpires with our gaze locked. We remain transfixed until his black shadow shrinks to the size of a small boy far more frightened of me than I of him. His spirit begins to pulse little specks of red blood from a heart that used to beat. Cecil had come all this way for salvation, not conquest. Salvation was not mine to give, but there was something universal I could offer him. I could tell him he’s forgiven. As a mother, learning to soothe a scared little boy, out of control, I said simply: “You’re safe now. The struggle is done.”
It turns out my canary song was more a lullaby than a cry for help. All I needed to do was let love loom larger than fear and replace caution with courage.
Cecil raised Richard, my father, third of eight kids born into poverty and chaos. In the back hills of Tennessee where my father was raised, his pedigree was well known. Because there were so many of them and because their charisma and epic feuds ricocheted through the corn fields, nothing was really secret. The shotgun rang out like a sheet of music to accompany the family score. Richard was raised by ghosts, damaged spirits above and below the earth.
He made his way out of the wreckage by identifying two goals – stay sober and make money. His money created a different life for me than he had known. Though his sobriety did not. He still lived from the haunted place that devoured love and left another kind of scarcity in its wake.
Richard’s goals were well set before he met my mother. My mother was equally smart in different ways – an intellectual, not a survivalist. No trauma swirled inside her. By contrast, her idyllic childhood left her with no sense of all that could possibly go wrong.
They bore me not from rage, but neither from clear intent. Love can also lend accidental objects. This was my predicament, nestled between a mother who wanted a baby and father who was terrified of passing on his pain. His rejection of me was also a matter of his love, a deep desire not to hurt me as he’d been hurt. I understand this knee jerk response better now as a mother myself. Though as a girl what I felt most was loneliness, stuck in the landmine between them, their squabbles and projections. Their unconsciousness, almost my inheritance.
The child me needed a bad guy and a good guy. Someone to be angry at and someone to save. The adult me understands what the child could not. A woman without voice and boundaries will always believe she needs someone other than herself. And a little boy longing to be loved will raise a little girl in search of the same. The adult me now knows I was always enough, and they did the best they could. There are no binaries.
Trauma does many things. It cultivates your intuition, your ability to read people and the environment. It leaves you lonely, but never bored. It makes you resourceful and creative, albeit potentially and periodically manic. It gives you stories to tell, if you can find the courage to tell them. My sons gave me cause to bury the ghosts, to find a way to turn tragedy to triumph, to work with the pain rather than resist it.
I’m not the same kind of midwife my aunties were. But I’ve learned how to birth certain things. How to take hurt and transmute it into something different. How to take bitter and make it sweet. How to find the little overlap where shame and blame give way to empathy and forgiveness.
The tiniest voice buried deep inside me had much to say and was not so tiny after all. A tickle in the way back of my throat, followed by something that felt like choking. Ancestral hands constricting the airways, begging not to be shamed. Then something that was half cough, half growl, barreled forward from the depths and what came out was my life. A story about moving from pious to righteous. A story being rewritten in real time.
Raised by evangelicals on a farm in rural Tennessee, Micah Stover is now far from home in Mexico where she resides with her family and works as an integrative support therapist with trauma survivors. Micah is currently writing and revising a memoir, chronicling the path to heal intergenerational trauma and PTSD with MDMA, psilocybin and guided psychotherapy.
Leigh Stein is amazing, no really she is. Leigh was cofounder and executive director of Out of the Binders/BinderCon, a feminist literary nonprofit organization dedicated to advancing the careers of women and gender variant writers. The Land of Enchantment was our first introduction to Leigh, and her memoir of a broken love and lost dreams placed this writer firmly on our radar. Leigh’s recent novel, Self Care, received rave (and starred) reviews and is a highbrow yet satirical look at influencer culture. This month, though, she released a book of poetry that is everything. What to Miss When: Poems is a look at the internet, the pandemic, and the life lived in between. Leigh is an amazing talent, pick up one of her books and let us know what you think!